Stephen Day – “You Wouldn’t Know”
-One of the genre tags on this track is yacht rock and that piqued my interest. “Do they still make that?” I asked myself. They absolutely sure do and this is a lovely example of the smooth rock energy. There’s just the right amount of synth energy here to make it feel like a late 80s love song. The dynamic guitars allow for a good pocket right in the middle of the sound, perfect for Day’s soaring vocal quality. I really appreciate the care that went into the production of this excellent track. It feels like listening to a time machine in the best way possible. I’m not sure if I am picturing more of Michael McDonald or Phil Collins, but there’s definitely some classic magic happening with this track.
Up From Here – “Dead End Avenue”
-If you grew up in the same generation as me, this sound will feel quite familiar. Artists like Sum41 and Good Charlotte put forth this style of pop rock in the early 2000s in a way that dominated my late high school and early college days. It’s such a visceral, powerful sound that I really appreciate. The power chords and strong vocal really works well on this track. If you’ve ever been in a relationship that frustrating went nowhere, this song will lyrically resonate. This connects with my angsty late teen self so well it’s almost disturbing. I hope others will give it a shot because this is a great sound.
Charismatics – “Either Way”
-I’m not even sure what subgenre this is other than… up tempo alt rock, maybe? It’s a quintessential example of indie rock, which I know is not specifically a genre. Like, when I tell people I am “into indie rock” this is the kind of sound I want them to think of. Anyways, Charismatics have this colorful sonic balance that brings in just the right amount of distortion and clever chord changes that make it not feel like “just another” rock song. It’s artful, well written, and deeply satisfying to the ear. Something about the eccentricity of it makes it appealing; it’s unpredictable without being too far off the beaten path to be recognizable. For example, the soaring guitar solo around the 3 minute mark is truly unique, with some sort of pedal effect making the guitar sound cool, but it’s just aggressive enough to make it stand out without turning away the listener. I dig the risks that they take with this track.
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