New tracks for your late fall playlists

Lucie Glang and Joe Pope – “Little Me”
-This song captured my attention from first listen. The atmospheric acoustic work sets a mysterious mood right from the start. The light and gentle vocal does a nice job of inviting the listener into a more intimate feeling on the song. If you’ve ever felt small in the face of the tragedies of the world, this song is definitely going to be a good fit for you. The folky pop composition style makes it accessible, yet the mysterious mood makes it feel more sophisticated than a lot of the twee style folk that is out there these days. It’s definitely worth your time and consideration, especially for fans of the Harmaleighs and similar unique folk talents.

Gabe Quinn – “Valletta”
-There’s a light, airy quality to the acoustic work on this song that makes it connect right away. While the harmonies are a bit different, the comp I have for this track is Darlingside. The lyrical theme is about a romantic connection. It’s the kind of song one could imagine being synced for a film or TV show. The light mandolin work creates an enjoyable, accessible sound that’s sure to appeal to wider audiences. This is a good indicator of the state of pop acoustic folk music at this stage in the 21st century. It would make a welcome addition to a wide range of playlists.

Martin and James – “Lost Balloon”
-The piano work on this track is accessible and engaging. It softly invites the listener in to the track. What captured me with the track, though, is the vocal harmony. The pacing is intentionally slow, expressing a delicate sense of desire. The balance between the intimate vocal style and the percussive piano chords makes for an easy to listen to style. I’m sure that fans of the new folk revival of the early 2000s will appreciate this track. It puts me in mind of artists like Ocie Elliott (and that’s a very good thing).

Lucky Kilmartin – “Changes”
-I have to be honest, the snare drum isn’t usually the first thing I hear on a folk song, but it was on this track. The easy going percussive energy in the opening provides the perfect base for the exceptional folk harmonies over the top. Something about the effect on the electric guitars and the phrasing style here reminds me of classic mid-20th century artists like America and The Band. There’s a genuine rock n’ roll soul to this song that feels quite comfortable. “With all of your changes, you won’t ever change my mind.” This is a timely message of heartache that is far too relatable. Let’s just say I enjoy what I hear… and I am moved in my spirit by the real heart of the song. This one is special.

Image courtesy: Gabe Quinn IG