Jillette Johnson – “Daddy Dopamine”
-I adore this song; it sounds really good, feels really good, and has a powerful (much needed) message. It puts me in the mind of Bo Burnham a bit in critiquing modern society’s reliance on technology and the dopamine rushes that dominate modern society. There’s a sultry seductive style to the track which, of course, parallels the seduction of digital devices. The song is an exquisite connection of genre and message.
Martin Jesper – “How to be friends”
-There’s a cathartic energy on this track that emerges from the piano. The full production has some folk tendencies, of course, but it’s also more of a pop flavor than straight pop. The expressive lead vocal discusses lyrics about being friends with someone you’d like to be “more than friends” with. It’s sweet. It’s a song that expresses a sentiment that a lot of people will probably be able to understand. It’s a nice balance of accessible production with relatable lyrics. But fair warning, this song might make you think about someone you thought you were over. It’s very emotionally driven.
EASHA – “Two dimensions”
-Take an acoustic jazzy guitar with a bright pop vocal… now add in a crispy pop beat and some electronic orchestral layers… that’s what you get with EASHA’s “Two dimensions.” The lyrics are about “a modern world” and this is a sound that fits it well. It feels cosmopolitan, engaging, and truthful. The emotions are both introspective as well as offering a dash of societal critique. The balance of the song both in production and lyrical meaning are poignant. This is a smooth song that lulls the listener all while encouraging some meaningful critical reflection. It’s a gem.
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